11am | Algorithmics, Art, and Society
Led by Hugues Vinet, Director of the Innovation and Research Means, IRCAM and Project Coordinator of the STARTS RESIDENCIES
With Pierre Cassou Noguès, Philosopher, Université Paris 8
Coder, décoder les mondes intérieurs
Jasia Reichardt, Author of The computer in art, cybernetics, art and ideas
Robots or Human History
Vera Bühlmann, Author, Philosopher and Professor in the Architecture Department, ETH Zürich
Exhaustion, or How to Think about the Location of Meaning
The subject of this introductory session to the theme “Coder le monde” (Coding the World) is to draw up an epistemological and historical perspective of the relationships—both fundamental to and dependent on the evolution of techniques; binding code and art, reason and imaginary, symbol and meaning, human and machine.
2:30pm | Coding the Body
Led by Sarah Fdili Alaoui, Artiste and Assistant Professor, Université Paris Saclay
With Rocio Berenguer, Artist, and Art Director of Pulso
Scott deLahunta, Co-Director Motion Bank, Researcher at Coventry (C-DaRE) and Deakin University
Marc Downie, Digital Artist, OpenEndedGroup
Pierre Godard, Artist and Art Director of Le principe d'incertitude
Christian Mio Loclair, Artist and Choreographer, Creative Director at Waltz binaire
Chris Salter, Artist and Professor at Concordia University in Montréal
Liz Santoro, Dancer and Art Director of Le principe d'incertitude
Associating artists and researchers with interfaces between dance and digital technologies, this panel discussion questions the basis of technology in choreographic creation. How did this hybridization affect the processes of creation and the methods of research in computer science? What common language has emerged through these collaborations? What are the technological challenges connected to the complexity of danced movement and its lived and experimental quality?
4pm | Artificial Intelligence and Generativity
Led by Bertrand Braunschweig, Director of the INRIA Center at Saclay Île de France
With Philippe Esling, Lecturer, Sorbonne Université, IRCAM-STMS
Claire Giraudin, Director of Sacem Université
Daniele Ghisi, Composer and Mathematician
François Pachet, Director of Creator Technology Research Lab, Spotify
Operating by learning a corpus of massive data—sounds, images, texts—the current algorithms for artificial intelligence provide unparalleled power for the production of artefacts with a credibility so troubling that their operation is misunderstood. What are their limits and do they put the status of author as it is today in peril? Does their control imply new heuristics for artistic creation?
Author, Philosopher and Professor in the Architecture Department
Vera Bühlmann is a Swiss writer. She is professor for architecture theory, and director of the Department for Architecture Theory an...
Philosopher, université Paris-8
Pierre Cassou Noguès (b. 1971) is a professor of philosophy at Université Paris-8. His work deals with the links between imagination and technology. He recently pu...
Author of The Computer in Art, Cybernetics, Art and Ideas
Jasia Reichardt (b. 1933) is a writer on art and an exhibition organizer. She was Assistant Director of the ICA in London, 1963-71, and Dir...
Sarah Fdili Alaoui
Assistant Professor, Paris-Saclay University
Sarah Fdili Alaoui is an assistant professor at LRI-université Paris-Sud part of the LRI HCC (ex InSitu) and INRIA Exsitu research team, in interaction ...
Artist and Creative Director at Pulso
Rocio Berenguer (b. 1987) is a multifaceted artist who combines various artistic forms: Actress, director, playwright, dancer, choreographer. Creative Director...
Researcher, Professor at Coventry University, Co-Director of Motion Bank
Scott deLahunta has worked as writer, researcher and organizer on a range of international projects bringing performing arts...
Digital Artist, OpenEndedGroup
Marc Downie (PhD), (b. 1977), is a digital artist, filmmaker, and programmer whose pioneering approach to digital art frequently combines three signature elements: no...
After beginning his career in finance as a quantitative analyst, Pierre Godard has subsequently worked as a lighting assistant, a props manager, a stage manager and an assistant director wi...
Christian Mio Loclair
Artist and Choreographer, Creative Director at Waltz Binaire
Christian “Mio” Loclair, creative director at Waltz Binaire, is a new media artist and choreographer from Berlin, Germany. He explores t...
Artist and Professor at Concordia University in Montréal
Chris Salter is an artist, University Research Chair in New Media, Technology and the Senses at Concordia University, Co-Director of the Hex...
Liz Santoro is an American dancer and choreographer who trained at the Boston Ballet School. She then studied neuroscience at Harvard University. She has worked with a number of choreographe...
Lecturer, Sorbonne Université, IRCAM-STMS
Philippe Esling received an MSc in Acoustics, Signal Processing and Computer Science in 2009 and a PhD on multiobjective time series matching in 2012. He w...
Director of Creator Technology Research Lab, Spotify
François Pachet (b. 1964) is Director of the Spotify Creator Technology Research Lab since 2017. At Spotify, he designs the next generation of A...
Composer and Mathematician
Daniele Ghisi studied composition at the G Donizetti conservatory in Bergmao under S. Gervasoni – and in 2007 received his diploma with honors. From 2008 to 2011 he parti...
Head of Inria Centre Saclay Île-de-France
Bertrand Braunschweig started his career in the oil industry as a researcher in the fields of systems dynamics and artificial intelligence. He then join...